Work Won't Love You Back: How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone cover

Work Won't Love You Back: How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone

by Sarah Jaffe

"Do what you love" is a pay cut.

For you if

you gave your job your whole heart and want to know who profited.

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Jaffe takes apart the most flattering lie in modern work: that if you love what you do, it isn't exploitation. She follows the 'passion' pitch from nonprofits and universities to gig platforms and the arts, and shows how it gets used to justify low pay, long hours and unpaid care. By the end, 'do what you love' sounds like a management technique, and you start asking what you actually want from work instead of love.

Where This Book Lives

Jaffe is a labor journalist, and this is the sharper cousin of Bullshit Jobs: less about pointless work, more about the emotional pitch that keeps people doing it for less. It's US-centered and written from the left. Good for the parent who has started to wonder what they're modeling about work for their kids.

Related Viewing

Shares a topic, theme, or setting with this book in the catalog.

At War / En guerre poster

At War / En guerre(2018)

dir. Stéphane Brizé

Same event: Labor Movement · Same themes: Capitalism Critique, Labor Exploitation

The plant is profitable. It closes anyway.

Laurent Amédéo leads 1,100 workers at the Perrin plant — a facility that is profitable, whose multinational parent company has decided to close anyway. Stéphane Brizé shoots En guerre with the grain and rhythm of a documentary: non-professional actors in most roles, a handheld camera that can't find a comfortable distance, meetings that go nowhere for a very long time. Vincent Lindon is the union spokesperson who has to translate collective fury into procedure and back again, day after day. The film covers one stretch of a fight that most films would compress into a montage — the press conferences, the back-channel negotiations, the vote counts, the waiting.

Why it’s here: Brizé makes you sit in the room where a decision is being made about other people's lives by people who will never meet them. What's punk about En guerre is the refusal to let that feel abstract — the camera stays at plant-gate level, in the meeting room, on Laurent's face when the call comes in. What's pedagogical is the film's insistence on duration: you feel what it costs to keep a collective together when the institution on the other side is patient and the workers are not. For anyone who has been told that workers in France are just wired differently, that solidarity at this scale isn't something available to us — this film shows the material conditions that make it possible. And it shows what it costs even there.

Where to watch: Free on Tubi, Kanopy, HooplaLetterboxd ↗

Sorry We Missed You poster

Sorry We Missed You(2019)

dir. Ken Loach

Same themes: Capitalism Critique, Economic Inequality

The gig economy takes the whole family.

Ricky, a Newcastle man who needs work, buys a van to become a 'self-employed' franchise delivery driver. His wife Abby, a home-care worker, sells her car to help pay for it. The film follows a family as the gig model eats their time, then their kids' lives. Written by Paul Laverty.

Why it’s here: The film shows how a contract that calls you your own boss moves all the risk onto you. What's punk is that it refuses a villain you can punch: the system does the work. What's pedagogical is the mechanics: fines, unpaid hours, who owns the van. Pairs with Nickel and Dimed and Bullshit Jobs. A hard watch for parents.

Where to watch: Free on Kanopy, Hoopla; rentLetterboxd ↗