At War / En guerre(2018)
dir. Stéphane Brizé
The plant is profitable. It closes anyway.
Where to watch: Free on Tubi, Kanopy, HooplaLetterboxd ↗
Laurent Amédéo leads 1,100 workers at the Perrin plant — a facility that is profitable, whose multinational parent company has decided to close anyway. Stéphane Brizé shoots En guerre with the grain and rhythm of a documentary: non-professional actors in most roles, a handheld camera that can't find a comfortable distance, meetings that go nowhere for a very long time. Vincent Lindon is the union spokesperson who has to translate collective fury into procedure and back again, day after day. The film covers one stretch of a fight that most films would compress into a montage — the press conferences, the back-channel negotiations, the vote counts, the waiting.
Why it’s here
Brizé makes you sit in the room where a decision is being made about other people's lives by people who will never meet them. What's punk about En guerre is the refusal to let that feel abstract — the camera stays at plant-gate level, in the meeting room, on Laurent's face when the call comes in. What's pedagogical is the film's insistence on duration: you feel what it costs to keep a collective together when the institution on the other side is patient and the workers are not. For anyone who has been told that workers in France are just wired differently, that solidarity at this scale isn't something available to us — this film shows the material conditions that make it possible. And it shows what it costs even there.
Where This Film Lives
- Setting
- France
- Topics
- labor movement
Read Alongside
Books that share a topic, theme, or setting with this film.
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Capital in the Twenty-First Century
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Kids at Work: Lewis Hine and the Crusade Against Child Labor
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The Making of the English Working Class
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Workers were never history's extras.
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Aristophanes' Lysistrata: A Dual Language Edition
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