Wangari’s Trees of Peace: A True Story from Africa

In the early 1970s, a ramshackle summer camp for teenagers with disabilities near Woodstock, Camp Jened, ran on hippie rules: no adults in charge of the kids' lives. The campers, among them co-director James LeBrecht and the future activist Judy Heumann, went on to organize the sit-ins and protests that helped win the Americans with Disabilities Act. It was produced for Netflix and was nominated for the Oscar for Best Documentary Feature.

Why it’s here: The film shows that a movement can begin as a summer. What's punk is that the people it follows organize without asking permission, and refuse to be treated as objects of pity. What's pedagogical is the through-line from a place where kids ran their own lives to a federal law that changed what was possible. It's a rare entry on disability and civil rights, and a natural fit for DoCR's self-organization principle.

In a West African village, a newborn boy named Kirikou speaks, walks and sets out to save his people from Karaba, the sorceress who has dried up their spring. The question he keeps asking is why she is so cruel. The answer changes how the story ends. It is based on West African folktales and runs about 70 minutes.

Why it’s here: The film turns a fairy tale about a tiny hero into a story about asking why the villain does what she does. What's punk is that Kirikou wins by understanding, not by force. What's pedagogical is the question itself, which is one a kid can carry out of the theatre. A good pick for a family watch. Note: the film is sometimes critiqued for its stereotyped portrayal of West Africa, written by a French director, and it includes non-sexual nudity.