Shrill: Notes from a Loud Woman

In postwar Rome, Antonio finally gets a job pasting posters, but it requires a bicycle. When his is stolen on the first day, he and his young son Bruno spend the day searching the city. De Sica used non-professional actors and shot on the street, and the result is a simple story about what a bicycle means to a family.

Why it’s here: The film shows poverty as a trap with a clear shape. What's punk is that it refuses to make the thief a villain or the hero a saint. What's pedagogical is the father and son's walk, which shows a child watching an adult's dignity break. A foundation of neorealism, pairs with Children of Heaven and Rosetta. Note: subtitled and black and white; it's slow by modern standards but short.

Based on a real 1990s case in Tamil Nadu: a man from the Irular tribal community is arrested by police on a false theft charge and disappears in custody. His wife, Sengani, goes looking for him, and a lawyer takes the case. A courtroom drama about caste, police violence and what it takes to make an institution answer.

Why it’s here: The film puts caste on screen as a legal system and not a metaphor. What's punk is how it centers a woman nobody would listen to and refuses to let the court be the hero. What's pedagogical is the case file: it shows how a lawyer builds evidence against a state. Pairs with Annihilation of Caste, Ants Among Elephants and Caste. Note: Tamil with subtitles, about 2h45m, and it shows police torture. The release drew a defamation complaint over a calendar image in one scene, and the filmmakers changed it.