Banned Book Club

In the early 1970s, a ramshackle summer camp for teenagers with disabilities near Woodstock, Camp Jened, ran on hippie rules: no adults in charge of the kids' lives. The campers, among them co-director James LeBrecht and the future activist Judy Heumann, went on to organize the sit-ins and protests that helped win the Americans with Disabilities Act. It was produced for Netflix and was nominated for the Oscar for Best Documentary Feature.

Why it’s here: The film shows that a movement can begin as a summer. What's punk is that the people it follows organize without asking permission, and refuse to be treated as objects of pity. What's pedagogical is the through-line from a place where kids ran their own lives to a federal law that changed what was possible. It's a rare entry on disability and civil rights, and a natural fit for DoCR's self-organization principle.

In a future where books are outlawed, fireman Guy Montag burns forbidden literature for a living until a young woman's curiosity about reading unsettles his loyalty to the system. Truffaut's only English-language film, adapted from Ray Bradbury's novel.

Why it’s here: Punk in imagining resistance as an act of memory — the "book people" who become the books they refuse to let die. Pedagogical in showing censorship dressed up as compassion, a government that burns literature "for everyone's peace of mind."