Winners Take All

Twenty-five years after environmental collapse, a wealthy family lives on in a luxurious bunker inside a salt mine, singing their way through carefully preserved routines — until a mysterious girl arrives and shakes the foundations of the life they've built.

Why it’s here: Punk in using a lush musical to interrogate the comfortable denial of a family who survived the collapse — the bunker is denial with good furniture. Pedagogical in showing how wealth and routine let a people sing their way around what happened, until an outsider arrives who won't play along.

A secretive Christian organization with deep ties to Washington power — senators, presidents, dictators — investigated through journalist Jeff Sharlet's years embedded inside it, adapted from his own nonfiction books.

Why it’s here: Sharlet spent years embedded inside the group he's now the on-camera guide through — the same access problem every insider investigation has, here made visible rather than hidden. Worth knowing the series carries a real, documented bias critique (that it understates historical Democratic involvement with the group) alongside its reporting; watch it as an argument, not a neutral record.