The Trial

In a near-future Britain, teenage gang leader Alex is imprisoned for ultraviolence and subjected to an experimental state conditioning program meant to strip him of the capacity for violent choice. Adapted from Anthony Burgess's novel.

Why it’s here: Punk in refusing to resolve the discomfort — Alex is a monster, and the state's "cure" is its own kind of monstrous. Pedagogical in forcing the question of whether choosing evil is more human than being engineered into goodness.

Diouana, a young Senegalese woman, takes a job as a nanny for a white French couple in Dakar, then follows them to the Riviera expecting a new life. Instead she becomes a maid shut in their flat, watched and owned. It is one of the first great African films and runs about an hour.

Why it’s here: The film makes the colonial relationship small enough to see: one flat, one woman, one mask on a wall. What's punk is Sembène, a Senegalese director, making the film the French would not, with independence barely won and the old arrangements intact. What's pedagogical is the use of space and silence: you read power from where people are allowed to stand. Pairs with Xala, already in the catalog.