Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II

Ava DuVernay's documentary traces one clause of the 13th Amendment, which abolished slavery except as punishment for a crime, from Reconstruction convict leasing through Jim Crow, the War on Drugs and the modern prison boom. Historians, activists and politicians make the case that mass incarceration is slavery's afterlife by another legal name.

Why it’s here: The punk move is the thesis itself: it reads the Constitution's own text as the loophole and then follows the money and the rhetoric, including footage of the politicians who built the machine, straight to the present. The pedagogy is in the method. It teaches a viewer to trace a single policy lever across 150 years instead of treating each era as a separate story, which is a transferable habit of mind. Worth knowing that some historians argue its straight line from slavery to prisons flattens a more tangled history, so watch it as a forceful argument rather than a settled account.

On New Year's Eve 2008, Oscar Grant spends the last day of his life with his daughter, his girlfriend and his mother, trying to be better than he has been. He's shot by a transit police officer on a BART platform in Oakland a few hours after midnight. Coogler made it as his first feature, and it begins with the real cell phone video.

Why it’s here: The film gives a man who became a headline a whole day, and makes the viewer sit with how ordinary it was. What's punk is that it starts with the real video and refuses to turn him into a symbol. What's pedagogical is how it rebuilds a person from a statistic. Pairs with The Hate U Give, Just Mercy and the Dear White People pick. It is a dramatization and shows the shooting.