The End of Policing

MIT researcher Joy Buolamwini discovers that a face-recognition system can't see her face unless she puts on a white mask. She follows the thread to police departments, landlords and schools that are using such systems, and to the activists in London and New York who are pushing back. It's a documentary about who gets watched and who gets judged by software.

Why it’s here: The film shows how algorithms inherit the prejudice of the people who built them, and who gets hurt first. What's punk is that a graduate student's anomaly turns into a campaign against the tech industry. What's pedagogical is how clearly it explains training data and error rates to a general audience. Pairs with Deep Unlearning, Automating Inequality and Your Face Belongs to Us.

Ava DuVernay's documentary traces one clause of the 13th Amendment, which abolished slavery except as punishment for a crime, from Reconstruction convict leasing through Jim Crow, the War on Drugs and the modern prison boom. Historians, activists and politicians make the case that mass incarceration is slavery's afterlife by another legal name.

Why it’s here: The punk move is the thesis itself: it reads the Constitution's own text as the loophole and then follows the money and the rhetoric, including footage of the politicians who built the machine, straight to the present. The pedagogy is in the method. It teaches a viewer to trace a single policy lever across 150 years instead of treating each era as a separate story, which is a transferable habit of mind. Worth knowing that some historians argue its straight line from slavery to prisons flattens a more tangled history, so watch it as a forceful argument rather than a settled account.