Player Piano cover

Player Piano

by Kurt Vonnegut

Machines took the jobs. Then they took the point.

For you if

you wonder what work is for once the machines can do it.

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Vonnegut's first novel, from 1952, imagines an America where machines have taken nearly every job and the engineers and managers who run them are the new aristocracy. Paul Proteus is one of them, and he starts to wonder what the rest of the people are for. It's funny in places, and it was written well before the word automation was common.

Where This Book Lives

Vonnegut's first book. Cat's Cradle, Mother Night and Slaughterhouse-Five are already in the catalog, so this is the one where the target is automation and the class that runs it. It's a little clunky in places and the women characters are thin.

Related Viewing

Shares a topic, theme, or setting with this book in the catalog.

Okja poster

Okja(2017)

dir. Bong Joon-ho

Same themes: Corporate Greed, Satire

A girl, a giant pig, and Big Food's PR machine.

Mija, a girl in the Korean mountains, has raised a giant pig named Okja for ten years. Then the Mirando Corporation, which engineered the 'super pigs,' comes to take her back to New York for a PR contest. Bong Joon-ho mixes a children's fable, a corporate satire and a rescue chase, and Tilda Swinton and Jake Gyllenhaal play it all the way over the top.

Why it’s here: The film is a kid-and-animal story with a corporate-capitalism argument hiding in the middle. What's punk is that the activists are flawed too. What's pedagogical is how clearly it shows the marketing that makes a factory sound like a farm. Pairs with The Corporation and Parasite. Contains slaughterhouse scenes, so check it before a kid watches.

Where to watch: Netflix (FlixPatrol US)Letterboxd ↗

The Great Hack poster

The Great Hack(2019)

dir. Karim Amer & Jehane Noujaim

Same themes: Corporate Greed, State Surveillance

How your data became a political weapon.

The film follows the Cambridge Analytica scandal through three people: David Carroll, a professor suing to get his own data back; Brittany Kaiser, a former company insider; and Carole Cadwalladr, the reporter who broke the story. It lays out how a political consultancy used Facebook data to build voter profiles and target them with tailored messages.

Why it’s here: The film makes data harvesting feel like something done to you personally, and shows how profiling was turned into political persuasion. What's punk is Carroll's lawsuit and Cadwalladr's reporting. What's pedagogical is the explanation of what data-brokering is. Note: it frames Kaiser as a conscience-stricken whistleblower, which is arguable, and the real impact of the targeting is still debated. Pairs with Your Face Belongs to Us, Data and Goliath and Citizenfour.

Where to watch: Netflix (FlixPatrol US listing; verify before adding)Letterboxd ↗