
Hood Feminism
by Mikki Kendall
Feminism keeps forgetting the women who need it most.
For you if
you call yourself a feminist and want to be challenged on whether your feminism actually includes the women who need it most
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Kendall's argument is direct: mainstream feminism has a priority problem. It centers the concerns of white, middle-class women — workplace equality, reproductive rights as bodily autonomy — while ignoring the issues that most urgently affect marginalized women: hunger, housing, gun violence, predatory lending, educational access. This is not a book about what feminism should add to its agenda. It is a book about what feminism has always claimed to be about — all women — and the gap between that claim and its actual practice. Kendall writes with the specificity of someone who grew up in the communities mainstream feminism tends to theorize rather than listen to. The most necessary corrective to mainstream feminist discourse and the one most likely to expand who the P&P reader thinks of when they think of feminist politics.
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A decade-in-the-making portrait of Ursula K. Le Guin, made with her direct participation, tracing her life and the ideas — anarchism, utopia and its opposite, gender — running through Earthsea, The Left Hand of Darkness, and The Dispossessed.
Why it’s here: Le Guin explains her own anarchist and utopian thinking here in her own words, not through a scholar's paraphrase — about as close as film gets to the primary source behind The Dispossessed. Punk in that she spent decades on the margins of 'respectable' literature by choice, refusing to soften the politics to fit in; pedagogical in that watching her reason through an idea is a different kind of teaching than reading the novel it produced.
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Different time, different place. The same thing keeps happening.
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For the family bookshelf
Same idea, written for a younger reader. Good for reading together.






