American Born Chinese cover

American Born Chinese

by Gene Luen Yang

Three stories. One argument about what assimilation costs.

For you if

you have ever made yourself smaller or different to be accepted and need a graphic novel that shows exactly what that bargain costs and who it was never going to work for

⚡ Choose Your Route ⚡

Not sold directly on this site. Support indie bookstores with a new copy, or go sustainable with a used one.

Buy New on Bookshop.org

Supports independent bookstores

— OR —

Find Used on Better World Books

Secondhand & sustainable

$15 MSRP
Reference price shown. Other editions may be available.

Three storylines that seem unrelated: Jin Wang, a Chinese American boy navigating the social cruelties of an American middle school where he is the only Asian kid; the Monkey King, a deity from Chinese mythology who desperately wants to be accepted by the other gods; and Danny, a white American teenager humiliated by the annual visit of his cousin Chin-Kee, a walking compendium of Chinese stereotypes so extreme he reads like a racist cartoon come to life. Yang weaves all three together into a single argument about what assimilation costs — the self-hatred it requires, the parts of yourself you have to make invisible to be accepted, the impossibility of the bargain the dominant culture offers. The Monkey King wants to be a god among gods. Jin Wang wants to be white. Danny wants Chin-Kee to disappear. All three are the same person making the same deal. National Book Award finalist, Printz Award winner, the first graphic novel nominated for the National Book Award. The capstone text in the borders and belonging bundle for older readers ready to examine what belonging has been costing them.

Where This Book Lives

Setting
China • East Asia
Voice
Written by a Chinese author

Related Viewing

Shares a topic, theme, or setting with this book in the catalog.

Balzac and the Little Chinese Seamstress poster

Balzac and the Little Chinese Seamstress(2002)

dir. Dai Sijie

Banned books, secret readings, and one crush.

Two city students sent to a remote mountain village for Maoist "re-education" during the Cultural Revolution discover a hidden suitcase of banned Western novels — and use them to woo the local tailor's granddaughter. Adapted from Dai Sijie's own novel.

Why it’s here: Punk in treating banned Western novels as genuinely dangerous contraband — literature here isn't decoration, it's the thing state re-education is specifically designed to purge. Pedagogical in showing how forbidden art still gets in, and still changes people, even under total surveillance.

Letterboxd ↗

To Live poster

To Live(1994)

dir. Zhang Yimou

Survival as its own kind of victory.

A gambler who loses everything is swept, along with his wife, through the Chinese Civil War, the Great Leap Forward, and the Cultural Revolution — decades of upheaval survived not through heroism but through sheer stubborn attachment to each other. Adapted from Yu Hua's novel.

Why it’s here: Punk in refusing tragedy porn — Fugui and Jiazhen endure without ever becoming heroes, just people who keep going. Pedagogical in tracing how ordinary people get swept into history's worst decisions without ever making one themselves.

Letterboxd ↗