We Are Not Free cover

We Are Not Free

by Traci Chee

1942. Fourteen Japanese American kids. One executive order.

For you if

you want to understand the Japanese American internment through the teenagers who lived it — not as history but as the interruption of specific lives

⚡ Choose Your Route ⚡

Not sold directly on this site. Support indie bookstores with a new copy, or go sustainable with a used one.

Buy New on Bookshop.org

Supports independent bookstores

— OR —

Find Used on Better World Books

Secondhand & sustainable

$16 MSRP
Reference price shown. Other editions may be available.

San Francisco, 1942. Fourteen Japanese American teenagers — friends, rivals, lovers, strangers — as Executive Order 9066 rounds up their community and sends them to internment camps. Chee gives each of the fourteen a chapter in their own voice, so the novel is not one person's experience of internment but a whole community's — the specific ways that imprisonment fractures and also cements relationships, the different choices people make under impossible conditions, the specific loss of the city they grew up in. National Book Award finalist. The most formally ambitious YA novel about Japanese American internment and the one that most completely refuses to reduce its subjects to their victimhood — each of the fourteen is fully alive before the order arrives and remains fully alive inside the camps. Essential complement to Obasan and They Called Us Enemy on the internment shelf.

Where This Book Lives

Setting
North America
Voice
Written by a North America author

Related Viewing

Shares a topic, theme, or setting with this book in the catalog.

Aristotle and Dante Discover the Secrets of the Universe poster

Aristotle and Dante Discover the Secrets of the Universe(2023)

dir. Aitch Alberto

One summer, secrets neither boy knew he had.

In 1987 El Paso, two Mexican-American teenage loners strike up a friendship that cracks open everything one of them has spent years keeping carefully closed off — including who he is. Adapted from Benjamin Alire Sáenz's novel.

Why it’s here: Punk in its tenderness rather than its edge — a bilingual, bicultural, queer coming-of-age story that doesn't need trauma to justify its own gentleness. Pedagogical in showing how friendship can crack open a kid who's spent years protecting himself by staying closed.

Letterboxd ↗

Balzac and the Little Chinese Seamstress poster

Balzac and the Little Chinese Seamstress(2002)

dir. Dai Sijie

Banned books, secret readings, and one crush.

Two city students sent to a remote mountain village for Maoist "re-education" during the Cultural Revolution discover a hidden suitcase of banned Western novels — and use them to woo the local tailor's granddaughter. Adapted from Dai Sijie's own novel.

Why it’s here: Punk in treating banned Western novels as genuinely dangerous contraband — literature here isn't decoration, it's the thing state re-education is specifically designed to purge. Pedagogical in showing how forbidden art still gets in, and still changes people, even under total surveillance.

Letterboxd ↗