The Rape of Nanking: The Forgotten Holocaust of World War II

Two city students sent to a remote mountain village for Maoist "re-education" during the Cultural Revolution discover a hidden suitcase of banned Western novels — and use them to woo the local tailor's granddaughter. Adapted from Dai Sijie's own novel.

Why it’s here: Punk in treating banned Western novels as genuinely dangerous contraband — literature here isn't decoration, it's the thing state re-education is specifically designed to purge. Pedagogical in showing how forbidden art still gets in, and still changes people, even under total surveillance.

A documentary about the American war in Vietnam, made while the war was still being fought. Davis intercuts interviews with generals, officials, pilots, veterans, grieving Vietnamese families and ordinary Americans, setting the language of policy against what that policy did on the ground and at home.

Why it’s here: The punk move is the editing: Davis lets the war's architects talk at length, then cuts their words against a funeral, a bombed village or a cheering football crowd, and trusts the audience to feel the gap. The pedagogy is in how the film teaches viewers to hear the language of power, euphemism and abstraction included, while looking at what it covers up. Worth knowing that the juxtaposition is the argument, and General Westmoreland and others objected that their words were framed unfairly, so watch it as a persuasive documentary, not a neutral record.